The other impetus comes from Paul Valéry, who suggested that just as we receive water and gas and electricity into the home from far off with a very minimal effort, one day we’ll be receiving images and sounds into the home, appearing and disappearing with barely a signal of the hand, hardly more than a sign. I became interested in a copper mine called Bingham Pit, where Robert Smithson had proposed, but never completed, a reclamation project. I had a residency with the Center for Land Use Interpretation at their site in Wendover, Utah, in the middle of the Great Basin. When I had the initial ideas that led to China Town, I was still thinking about those questions. I’d been working on stop-action animations and exploring ideas of work and exhaustion. Lucy Raven: The choice to use stills came first. I’m curious about your choice to use still images with a separate sound track rather than working in a more traditional video format. Priem Experimental Media and Performing Arts Center, Rensselaer Polytechnic Institute, Troy, New Yorkĭrew Sawyer: Thinking about sound and its relationship to images, let’s start with your work China Town, which consists of thousands of still photographs and a sound track, and explores the production of copper from a pit in Nevada to a smelter in China. Stereoscopic photograph, custom-built projection rig, and sound, Installation view, Curtis R. In advance of the New York debut of her major installation Tales of Love and Fear(2015) at the Park Avenue Armory, in September 2016, Raven spoke with curator Drew Sawyer about sonic journeys near and far. Connecting all of these disparate strands is the artist’s continuing exploration into the effects of technology and labor in the production of movies, as well as the poetic relationship between sound and image. Her experiments in 3D filmmaking yielded video installations that place stereoscopic photographs within immersive surround-sound environments. Following China Town, Raven used test patterns for film and sound as both raw material and subject matter, turning the spotlight on standards for picture and audio quality developed by the Society of Motion Picture and Television Engineers. For Raven, a New York–based artist whose practice incorporates photography, video, installation, and performance, the research becomes the work itself. China Town (2009), the resulting photographic animation, combines thousands of still images with on-location ambient sounds, locked together by wild sync-sounds that correspond to an image, but are not actually synchronized. Searching for the networks of power that hold up global communications and commerce, she traveled from a pit mine in Nevada to a smelter in China to trace the transformation of raw ore into copper wire, the conduit for transmitting energy. Returns null if the track was not created by a SourceBuffer or the SourceBuffer has been removed from the MediaSource.sourceBuffers attribute of its parent media source.Lucy Raven wanted to get wired. The language is specified as a BCP 47 ( RFC 5646) language code, such as "en-US" or "pt-BR". language Read onlyĪ DOMString specifying the audio track's primary language, or an empty string if unknown. Public and actors John Doe and Jane Eod." This string is empty if no label is provided.
Hindi audio track for lucy movie#
For example, an audio commentary track for a movie might have a label of "Commentary with director John Q.
label Read onlyĪ DOMString providing a human-readable label for the track. For example, the main audio track would have a kind of "main".
kind Read onlyĪ DOMString specifying the category into which the track falls. The ID can also be used as the fragment part of the URL if the media supports seeking by media fragment per the Media Fragments URI specification. This ID can be used to locate a specific track within an audio track list by calling AudioTrackList.getTrackById(). id Read onlyĪ DOMString which uniquely identifies the track within the media. Setting this value to false mutes the track's audio. A Boolean value which controls whether or not the audio track's sound is enabled.
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